Hannu Rajaniemi wields his quill like a machine gun, firing concepts and novelty bombs at his readers as he cackles madly from a perch in the trees. Outside of Neal Stephenson’s best work and Kim Stanley Robinson’s “Mars” trilogy, Rajaniemi’s debut novel “The Quantum Thief” has about as high an insight density as I’ve ever encountered.
And the plot has the breathless, breakneck intensity of rolling down a hill on a unicycle. I’m not sure what’s got the man so busy; maybe he’s teaching people how to pronounce his name, or maybe he’s accepting an award for ‘SF author most likely to star as the heartthrob in a rom-com opposite Rachel Mcadams’. Either way, you’d better make sure the electrodes are attached firmly to your scalp and the TMS is dialed up to 11, because Hannu isn’t about to stop and explain a gotdamn thing to you.
Who the hell is the Pelligrini? What are Gogol pirates? How are EPR states embedded in the belly of a nanomechanical spider and used to steal time from a Millennaire on Mars? What are the Tzadikkim up to? Why are all the names distinctly French? Even the info dump that occurs in the closing pages is hard to follow, but thankfully there exist a number of resources compiled by fans on the internet.
For all this “The Quantum Thief” is suspenseful and rewarding, the tale of a criminal mastermind in an age of space-faring digital Gods and hyper-advanced posthumans, sprung out of the Dilemma Prison by a mysterious warrior from the Oort cloud and soon hot on the trail of a phantom who just might be too smart to outsmart — his former self…